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Джон Леннон




   

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1 августа '15
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8 лет 264 дня назад



The Doors: Mr. Mojo Risin — The Story Of «L.A. Woman» (2012)



Хотите взглянуть, как постаревшие Манзарек, Кригер, Денсмор и Ботник лично исполняют для вас вживую места с последнего альбома, и вспоминают, как они его записывали? Те, кто так долго были для нас в основном лишь именами на обложках дисков.

«And the ancient Egyptians used to say that if you say a man's name — he is alive».


L.A. Woman is the sixth studio album by The Doors, and the last recorded with lead singer Jim Morrison, who died in July 1971, less than 3 months after the album's release. Its style signified a return to blues, following in the footsteps of Morrison Hotel.Following the departure of their record producer Paul A. Rothchild (who, contrary to popular myth, loved «Riders on the Storm» but dismissed the group's differing style on «Love Her Madly» as «cocktail music») around November 1970, the band fell in to a state of depression and Jim Morrison was obviously bored with Sunset Sound, the studio in which their first two albums were recorded.

Bruce Botnick, their engineer, suggested they record at the Doors' workshop. He and the band began production on the album at The Doors Workshop in Los Angeles. Most of the tracks were recorded live, except for a few overdubbed keyboard parts by Ray Manzarek. Morrison recorded his singing in the studio's bathroom to get a fuller sound. Elvis Presley's bass player Jerry Scheff was brought in to play bass on the album, and rhythm guitarist Marc Benno was brought in so that Robbie Krieger could focus on playing lead guitar during live takes.

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Jim Morrison Ray Manzarek Robbie Krieger John Densmore Bruce Botnick


Here's a chance for me to quote one of my fellow people, man from Poland, Mr Chopin, so I'm doing a little Chopin Polonaise, my solo.


Chopin — Polonaise, Op. 53 (Kissin)
   


















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